Cultural production, concerts and collaborations

An art and music festival in a former sauna, part of the Eurosonic/Noorderslag ART route. Tapetown collaborated with Het resort and independent music partners across the two-night programme.

Full concert, live session and video production for KEXP at SPOT Festival, in collaboration with SPOT and MXD. The sessions include Rigmor, Brimheim, JJ Paulo and Jeuru, with location recording and mixing by Tapetown.

A stage created with Roskilde Festival Højskole at FO-byen for SPOT Festival. Sauna Senere and Joe & the Shitboys played to an audience and recording cameras, turning the concerts into Tapetown Sessions.

Label specials during SPOT Festival, with Crunchy Frog artists ONBC and Sista Bossen, and Escho’s Collider. Live session production at Lydhavnen, recorded and mixed by Anders Boll and Rasmus Bredvig.

A dayparty at Lydhavnen with Frontløberne and Roskilde Festival Højskole. Students shaped the event around HIRAKI and Mary Anne’s Polar Rig sessions, with concerts, DJs and visuals alongside the filmed performances.

A collaboration with To Øl at the brewery’s own facilities. Full audio and video production on location, including the live session for Boundaries’ Erosion.

Concert production in collaboration with GLAS – Museum of Glass Art in Ebeltoft, with full audio and visual production. The collaboration includes Kejser’s Paps Garage live session.

Audio and video production for Angående Mig in collaboration with GRIM Festival and Musikhuset. The live session captures Angående Skam and Smidig For En Mand at Musikhuset Aarhus, with the sound mixed at Tapetown.

Audio and video production in collaboration with Aarhus Sinfonietta, SVIN and VEGA, bringing contemporary ensemble music and an experimental band into the same concert production.

Audio and video production with Aarhus Sinfonietta in Sct. Pauls Kirke in Aarhus. A concert captured in the space it was performed in, with the room and its acoustics part of the work.

Classical events with I Djurs og Mols on Djursland. Experience of bringing live music into a local cultural setting, carried forward into the development of The Reserve.

A collaboration connecting Loppen’s live concerts with studio sessions at Grapehouse. Loppen’s annual report documents four concert collaborations and a filmed studio session, including the Bambara production with Tapetown and Grapehouse.

An earlier Eurosonic collaboration bringing Danish acts to Groningen through Denmark Blooms. Tapetown worked with SOZ, Never Mind the Hype and Promus on a showcase connecting artists with an international music community.

Rasmus Bredvig’s work with KORMA Music Camp combines coaching, feedback and live recording for developing artists. An extension of the same practice: giving musicians space to grow, with people and production around them.

An Erasmus+ project created and implemented with Tapetown as project lead. Developed with RADAR and Lake Woozoo, TAB connects young musicians across Denmark and the Netherlands. Tapetown leads project management and includes young people in running the project.

Trivsel, Arbejdsmiljø og Levende Kultur: a project developed and delivered with RADAR and ROSA, with young talent taking responsibility through project leader Viggo Hejgaard. Tapetown’s contribution includes live sessions and visual documentation. The wider collaboration also involves MentalVoice and Dansk Musiker Forbund.

A stage in the bowling lanes, made with Commotion, Escho and Roskilde Festival Højskole for SPOT Festival. The project combined live concerts, filming and a setting shaped by young organisers. The session archive also includes further performances from the bowling hall.

A concert-exchange initiative connecting Loppen in Copenhagen and VERA in Groningen with Tapetown. Loppen’s reports document the exchange of Danish and Dutch emerging artists, including Loose Ends and The Klittens.

TRAIN’s venue strategy records its collaboration with Tapetown on artist livestreams ahead of concerts. More recent work includes the live mixes for Patina’s Genstart and maaske, recorded at TRAIN.

The Soaphorse concert at Byens Lys during Frigjort Festival was filmed for a Tapetown Session. Loppen handled the audio recording; Rasmus Bredvig mixed the released performance.

A cross-border camp with SPOT Festival, DSCVR and GO!, with Tapetown and Roberta’s Society as partners. Rasmus contributed industry experience and coaching. The camp concluded with a showcase featuring HAITZE, Cashmyra and Dear Anaïs during Aarhus Festuge.

Rasmus Bredvig and Martin Aagaard Jensen led a workshop on developing a path to European tours at RADAR’s industry meet-up, alongside sessions on PR and wellbeing in music.

From Underground to Sustainable Artists: a Tapetown project-development initiative supported by Europæisk Kulturregion. The support helped establish the groundwork for European collaboration.

Tapetown supported Fatter Eskil Prisen’s talent programme, with TAK ROCK! backing a Tapetown live-session prize as part of the competition’s wider artist-development support.

A SPOT collaboration with Drowned in Sound brought intimate performances into the Tapetown studio. The programme included Dark Times and Mavourneen, with filmed sessions carrying the performances beyond the room.

A live-video collaboration with Sound of Aarhus and local venues, inviting visiting artists into the studio and sharing the performances online. The series connected local music activity with international listeners.

A session made across Engelsholm and RADAR. Daniel Lund Hollesen recorded the performance; Gustav Scheel and Rasmus Bredvig mixed it for the Tapetown release.

Empty Heavy and Somersaults, live at VERA. Tapetown’s Gustav Scheel and Rasmus Bredvig mixed the concert recording, with venue live sound credited to Joeri Wassenaar and Kay Tjassing.

The Live at Musikhuset performance in Store Sal, captured during SPOT Festival. William Smith recorded the concert; Troels Holm and Rasmus Bredvig mixed the released film.

Back of a Car and Dealerz, recorded by Rasmus Oxlund at VoxHall during SPOT Festival. Rasmus Bredvig and Gustav Scheel mixed the Tapetown Session.

Kødsovs, recorded in an Odder bowling alley by Christian Popp and Rasmus Bredvig, with the mix by Rasmus. A separate location production from the later SPOT bowling-hall stages.

All Contrast and Dead Calls brought Meejah and HIRAKI together on location. Troels Damgaard Holm and Tim Wöbke recorded the sessions; Rasmus Bredvig and Gustav Scheel mixed them.

Tapetown co-founded Lydhavnen in Aarhus. The studio community became a base for recording, live sessions and the shared working life of producers and musicians.

Rasmus contributed as a cross-thematic expert to MusicAIRE’s think-tanks. The European Music Council and INOVA+ initiative addressed a greener, more digital and resilient recovery for the music sector.

Rasmus helped establish and fund Krylati Foundation. The charity’s work includes music education for children in Zaporizhzhya affected by the war in Ukraine.