The Reserve’s video offer covers films for businesses, artists and cultural organisations: brand and campaign films, employer stories, interviews, event films, music videos and live sessions. We plan the idea, filming and final edit around the audience and intended use, drawing on Tapetown’s practical experience of audiovisual production.
Video post-production and edit: Rasmus Bredvig. Cameras: Claus Haargaard, Torsten Frøstrup, Christian Daugaard and Charlee Aurora. Audio recorded by Jonna Aspeklev and Rasmus Bredvig; mixed by Rasmus, assisted by Jonna.
Video post-production and edit: Rasmus Bredvig. Cameras: Claus Haargaard, Torsten Frøstrup, Christian Daugaard and Charlee Aurora. Audio recorded by Jonna Aspeklev and Rasmus Bredvig; mixed by Rasmus, assisted by Jonna.
A two-song session at VoxHall during SPOT Festival, with guest performances from Suisse air and late verlane. Filmed by Tapetown and Charlotte Lund Mortensen.
Video recording: Tapetown and Charlotte Lund Mortensen. Video edit: Rasmus Bredvig. Audio recording: Rasmus Oxlund. Mix: Rasmus Bredvig and Gustav Scheel. Mastering: Emil Thomsen.
A live session at GLAS in Ebeltoft, connecting a musical performance with the museum setting. Part of Tapetown’s concert and audiovisual collaboration with GLAS.
Video: Charlotte Lund and Rasmus Bredvig. Video edit: Rasmus Bredvig and Gustav Scheel. Recording: Troels Holm and Tim Rosen. Mix: Troels Holm and Rasmus Bredvig. Mastering: Emil Thomsen.
Video recording and edit: Tapetown. Audio recording: Gary Payne at Musikhuset. Mix: Rasmus Bredvig, assisted by Viggo Hejgaard. Mastering: Emil Thomsen.
Filming and production: Tapetown. Cameras: Rasmus Bredvig and Charlotte Lund Mortensen. Recording: Troels Damgaard Holm and Tim Wöbke. Mix: Rasmus Bredvig and Gustav Scheel.
For a business, the starting point may be introducing a brand, explaining a product, sharing an announcement or helping prospective colleagues understand the workplace. Interviews, employee stories and campaign films each answer a different audience need. We establish the message and the people who can tell it before planning the shoot.
For music and culture, the focus may be a performance, an artist or the atmosphere of an event. Tapetown’s archive includes KEXP sessions at SPOT, a brewery session with To Øl and concert production at GLAS museum. These are specific examples of music and cultural work.
Plan sound, picture and delivery from the start
We begin with the audience, purpose, timing and budget. The production plan covers the creative approach, location, contributors and filming needs. Editing, colour and sound follow, with the deliverables agreed for the places the film will appear.
A website film, a presentation and a social post may need different lengths, aspect ratios or captions. Discussing these uses early helps define the material to capture and the versions to make. Scope and timing are agreed for each project.
Can you make films for businesses as well as musicians?+
Yes. The video offer includes brand and campaign films, employer branding, employee stories, recruitment, PR and event films, alongside music and cultural production.
Can one shoot produce several versions?+
A main film and shorter or differently formatted edits can be planned together. We agree the number of versions, captions and channels in the project scope.
Can you record a live performance on location?+
Tapetown’s experience includes live-session and concert production in venues, a brewery and a museum. Share the location and performance requirements so we can discuss a suitable approach.
How do I start a video project?+
Tell Rasmus what you are making, who it is for, where you want to use it and your timing. A rough idea is enough to begin discussing the scope.
